{"id":13552,"date":"2017-01-05T09:00:47","date_gmt":"2017-01-05T09:00:47","guid":{"rendered":"http:\/\/performistanbul.org\/?page_id=13552"},"modified":"2020-12-29T22:17:18","modified_gmt":"2020-12-29T22:17:18","slug":"weareseeds","status":"publish","type":"page","link":"https:\/\/www.performistanbul.org\/index.php\/weareseeds\/","title":{"rendered":"weareseeds"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: left top;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:20px;padding-left:0px;margin-bottom: 0px;margin-top: 0px;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-1\" style=\"transform:translate3d(0,0,0);\"><h1><strong><em>We Are Seeds That Sprout Air<\/em><em> , 2017<\/em><\/strong><\/h1>\n<p>Ali Emir Tapan<\/p>\n<p>Performance<br \/>\n6 Hours Mosh Pit<\/p>\n<p>The Pill , 2017<\/p>\n<p>Performers : B\u00fc\u015fra Durgun , Damla Durman , G\u00fclhatun Y\u0131ld\u0131r\u0131m, Leman S. Dar\u0131c\u0131o\u011flu , M. Enes Kuma\u015f ,\u00a0 Mert Sar\u0131su , \u00d6zg\u00fcrcan Ta\u015f\u00e7\u0131 , Umut R\u0131\u015fvanc\u0131 , Ya\u011fmur Ta\u00e7ar.<\/p>\n<p>Description<br \/>\nThe piece consists of a video and a 6 hours long performance. The video, cutting between a mosh-pit footage and a movie sequence of an olive tree, both of which were shot with a cell-phone, proposes a state of animistic transcendence, accompanied by a soundtrack of a shamanic drum.<\/p>\n<p>The performance takes place in the same room the video is projected. The soundtrack is silenced, but the video keeps running. Three drum-sets are placed on different ends of the room. Three drummers play these drums at the same time for 6 uninterrupted hours. They may play in synch or cacophonically. Performers are asked to start a mosh-pit and sustain it for 6 hours, projecting the ritual, fictionalized by the video, onto real time and space. For 6 hours the video and the performance co-exist. The viewer may partake by observing both or participating in the performance.<strong>\u00a0<\/strong><\/p>\n<p><em>We Are Seeds That Sprout Air<\/em>\u00a0is an investigation into crowd dynamics, as well as a proposal for a ritual of non-aggressive violence. In the face of our current reality; one of many imposed mass movements and motions, protests, celebrations, immediate responses to terror attacks by the present public, where a group of human beings are affected as a single body, it is an experiment in transformational imitation.<\/p>\n<p>Ali Emir Tapan Bio: Ali Emir Tapan is a multidisciplinary Turkish artist based in Istanbul.<br \/>\nAfter studying intellectual history and photography at the Connecticut College, he moved to New York where he managed Haluk Akak\u00e7e\u2019s studio.<br \/>\nBack in Istanbul, Ali Emir Tapan presented his first solo show <em>Discrete Intimacy<\/em> at Dirimart in 2008. Following his debut in the Turkish art scene, Tapan pursued his research in systems of esotericism and self-destruction patterns between Paris and London where he did an MFA at Central Saint Martins.<br \/>\nAli Emir Tapan is considered as one of the most prolific young Turkish artist recently acclaimed with his solo shows <em>There is another world<\/em>\u00a0 (2015) and <em>Being imperceptible <\/em>(2016) curated by Ali Akay.<br \/>\nHis recent work investigates self-defeating utopias, urban fauna as totemic representations and the conjunction of private-public and spiritual spaces.<br \/>\nHis work, especially his performances, are known for being related to relational aesthetics.<br \/>\nHe is also involved in the emerging Turkish art scene as a curator, his most recent curatorial project at Space Debris featured Paris based feminist artist Luna Ece Bal and was widely reviewed in the local and international press.<\/p>\n<p>@Ali Emir Tapan and Performistanbul<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_4 1_4 fusion-one-fourth fusion-column-first\" style=\"width:22%; margin-right: 4%;margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"imageframe-align-center\"><span class=\" fusion-imageframe imageframe-dropshadow imageframe-1 hover-type-zoomin\" style=\"-webkit-box-shadow: 3px 3px 7px rgba(0,0,0,0.3);box-shadow: 3px 3px 7px rgba(0,0,0,0.3);\"><a href=\"http:\/\/performistanbul.org\/wp-content\/uploads\/2017\/01\/weareseedspast_1.jpg\" class=\"fusion-lightbox\" data-rel=\"iLightbox[a0b0294ecd0e4313474]\"><img decoding=\"async\" src=\"http:\/\/performistanbul.org\/wp-content\/uploads\/2017\/01\/weareseedspast_1.jpg\" class=\"img-responsive\"\/><\/a><\/span><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_4 1_4 fusion-one-fourth\" style=\"width:22%; 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